There’s Almost No Music In This Classical Music Program

You would think that a “special” classical music program would be all about the music. You’d be wrong if you’re talking about one particular program for high school aged female classical musicians.  The Fortissima program at Colburn School in Los Angeles is aiming for something completely different.

Artistic Director and Violinist Jannina Norpoth says they aim to teach their charges how to make it in the world they want to pursue. One student, Tess Reed, says this was the best experience ever.

String Quartet Smackdown

Crossing Borders Music seeks a violinist

Isata Kanneh-Mason Releases “Mendelssohn”

The Opera about Fannie Lou Hamer

Photo by www.ireneyoungfoto.com

After reading numerous articles about our shorter than short attention spans, I’ve decided to split this, the August 2024 Classical Music in Color into two parts. It may be a permanent fixture. Let me know what you think.

The first part is an interview with 85 year old composer Mary D. Watkins who’s about to premiere her latest opera “Is This America” about the Mississippi Civil Rights leader Fannie Lou Hamer

Mary D. Watkins is a Colorado native who earned a degree in classical composition from Howard University in Washington, DC.  She started getting noticed later in life.  She won a Female Composer grant from Opera America in 2020, has previously won composer fellowships from the National Endowment for the Arts, along with various other grants.  AND She received a 2021 Artist Legacy Award from the California Arts Council.  She was also recognized with a 2022 Composers Now Visionary Award. She says her composition of this opera was a long time coming.

The Second part of this, the August 2024 edition of Classical Music In Color is what I’m calling for now, the Albums, Opportunities, Events and Milestone section of the show.

Here are the links:

Sphinx – SOPA

Black Violin Foundation Grants

Castle Of Our Skins Give Black

Kellen Gray

Lara Downes

Good News About Three Black Classical Artists

It’s been a busy and awarding season for some young emerging Black American classical musicians.  Pianist Clayton Stephenson and Violinist Njioma Chinyere Grievous were the recipients of The Avery Fisher Career Grant Award.  Another, Tyler Taylor, won the Emerging Black Composers competition from the San Francisco Symphony, and the San Francisco Conservatory of Music.

We also honor an early music musician, James Nicholson, whose career spanned more than 25 years.

The National Association of Negro Musicians Convention

Njioma Grevious – Photo credit Jiyang Chen

Anthony McGill

The First Black Principal Clarinetist of the New York Philharmonic.

Something special happens when two African American classical musicians come together to perform a work about the Black experience in America.  Anthony McGill, the first Black Principal Clarinetist of the New York Philharmonic, has been on a tour of sorts with Pulitzer Prize winning composer Anthony Davis. McGill performs Davis’s reality-based work, You Have The Right To Remain Silent.  

In this edition of Classical Music In Color, hear the story of how McGill made his ascent to the top of the classical music world.  And how he’s helping others get there too. 

Events and Opportunities

Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch by Ossie Davison PBS Great Performances “Broadway’s Best” lineup in May.

Grammy winning, Bass singer Morris Robinson’s one man show at the Fort Worth Opera

Early Music America’s Engagement Award

Cover Photo by: Martin Romero

Meet Andre Dowell, the Sphinx Organization’s new Programming Chief  

The Sphinx Organization, the group that’s been fostering diversity in classical music since 1996, has a new programming chief.  Andre Dowell is new to the job but not to the Sphinx organization. In his new job, he says he wants Sphinx to keep moving forward in diversifying the classical music community via the organization’s many programs.

Colour of Music Festival – Chamber Music Quartet & Quintet with Elizabeth Hill

Applications for the Seventeenth Van Cliburn International Piano Competition 

Althea Waites.  Pianist, Scholar, Advocate

Althea Waites is a pianist extraordinaire. In her 85 years, she has performed all over the world and will occasionally accept invitations to teach master classes at music schools across the country.  She has produced several albums, including her 2023 grammy nominated  album, Reflections in Time.  Her main goal is to perform new music and the music of composers of color.  She has recorded the works of Margaret Bonds, Jeremy Siskind and Curt Cacioppo along with three of the “Three-Fours” of Samuel Coleridge-Taylor.  Waites is scheduled to perform this month at Southwestern University in Georgetown, Texas.

Events and Opportunities:

THE APOLLO – CELEBRATING 90 YEARS AS THE SOUL OF AMERICAN CULTURE

Clayton Stephenson @ New York Philharmonic

The California African American Museum in Los Angeles

National Museum of African American History and Culture

Bloomberg Philanthropies.  Digital Accelerator Program

The Re-Discovery of Vicente Lusitano, A 16th Century Afro-Portuguese Composer

Have you ever heard of Vicente Lusitano?  

During his lifetime in the 1500s he lit up the Early Music/Renaissance  world with his music, intelligence, and moxie. Unfortunately this Afro-Portuguese composer’s mixed parentage and the prejudices of the period meant his legacy would not survive. But his music remains.  

In this January 21st edition of Classical Music In Color, two Lusitano experts, Garrett Schumann and Joseph McHardy,  talk about his life and works and revival today, nearly four centuries later. 

Here are links to the events and competitions mentioned in the podcast:

Hampton University in Virginia is honoring Composer Roland M. Carter.

Composer Anthony Davis is inducted into the Opera Hall Of Fame

The New Jersey Symphony is accepting applications for the Edward T. Cone Composition Institute.

New Album:  African American Voices II With Conductor Kellen Gray.

Prepare to hear the sounds of three very different African-American composers from different eras of classical music in the 20th century.  On the album African-American Voices II, curated and conducted by Kellen Gray, there’s Margaret Bonds and the music of Ulysses Kay and Coleridge-Taylor Perkinson

Kellen Gray is coming stateside next month (January) to work in Minnesota and in Washington, DC. 

Here are the links to the opportunities I mentioned.

Winston-Salem Symphony and UNCSA to Launch Fellowship for String Players

The National Academy Orchestra of Canada is looking for members.

For our African listeners, Spotify has a SSA Early Career Program.

The National Association of Negro Musicians is calling for proposals for its 2024 convention.

Are You Composing While Black?  On Classical Music In Color

Two composers and musicians, George Lewis and Harald Kisiedu have gathered some of today’s composers and musicologists in a book of essays called Composing While Black.  There are nine essays in the book that talk about their experiences composing, performing and being in a world that isn’t always welcoming to Black musicians, classical or otherwise. 

George Lewis and Harald Kisiedu

Regarding the items mentioned in the podcast:

 

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The Pressure Of Being The First One. The Dreams of a Nigerian Violinist and Florence Price. 

Rosalyn Aninyei  is doing her best to create and maintain a world class orchestra in her home country of Nigeria.  Florence Price is getting the festival treatment at Vanderbilt University in Nashville.  Blake-Anthony Johnson talks about his path to become the first African American to be the CEO of a world-renowned orchestra, the Chicago Sinfonietta.

There’s a new album of music by Florence Price and William Dawson via the Philadelphia Orchestra.

Here’s a link to the Margaret Bonds Symposium at Queens University in  Charlotte, North Carolina.